Therapeutic Relationship

I am an Art Therapist working in Forensic Mental Health Recovery Facility. Our service-users live in the facility and some in residences around the immediate community.

At work, my routine would mainly revolve around supporting and managing my service-users’ overall care plan. The most frequent of these will be the supervision, observations and documentation of their intake of prescribed medications.

This routine borders around compliance or enforcements. They are also often given support, in otherwise ordinary and rudimentary chores which for them, when left alone in their conditions is capable of heightening their stress, making them unsafe and increasing their chances of relapse.

There is a lot of seriousness around these activities, hence there is no much room for off-the-cuff chatter or conversations.

However they are encouraged to visit the office at their spare time, and without it being said, this is largely ignored.

Art therapy has taken me into its quiet, non intrusive, non judgmental and conciliatory ways of engaging and co-producing expressions, dialogues and conversations. This embodiment has changed my worldview with an imbued faith in the goodness of the human spirit.

As an art therapist I still interact with my service-users and all humans with the fervour to enable us all wilfully reflect on our shared humanity, index offences, while finding our own narratives, meanings and making changes in our behaviours.

Here, I am not officially paired with any service-users as their art therapist or as an art therapist. In fact there are virtually no referrals to the arts therapies in these communities.

But today I will escorting one of the service-users to an alcoholic desist-ant appointment. With the recent unreliable schedule of the buses, I can almost predict that we will have to undertake the twenty minutes journey on foot.

This promises to be an opportune time and I look forward to spending twenty minutes with him.

Co-Producing Dialogue towards a Therapeutic Relationship.

Leonard Chintua-Chigbu

Art Therapist.

The Ojuelegba Pentecost

18 Park Road Aba 4

The driver was a middle aged man. He was tall and slim and looked boyish. He smoked his cigarettes leaning on the bonnet of his Peugeot J5 mini-bus, while a member of National Transportation Workers Union called out for his passengers. It was his turn to load passengers and his vehicle will be the only one loading for Aba. I was early. Two passengers who had come earlier had taken the two front seats. I took the window seat on the next row, which was directly behind the driver’s seat.

Ojuelegba never slept. I have just made it for the rumoured Aba Early Morning ‘J5’. While we waited, you could see that, there were different sorts of businesses going on at quick pace, all over the station. Beside us was a line of rickety cabs, making frequent to-and-fro dashes across the bridge, into the island to Obalende, another insomniac station. There was the suya spot, roast corn, roast plantain, and roast yam spot, fried plantain, fried yam, moi moi and akara spot. Sachet water, paracetamol and some pornographic magazines were also on the hawk. Petty traders took turns to do their businesses in a relay of day shifts to night shifts. Every one of them coveted and struggled for the spot, which brought them good sales, the night before.

There wasn’t electricity supply in the surroundings, but Ojuelegba’s hot embers  glowed in the dark. Loud music blared from torn, dirty, dark speakers. Bus conductors doubled their efforts to shout destinations and call out for passengers. Darkness reduced visibility and the functioning of other senses. There was also so much smoke. Open fires from old tyres, flagrant fragrances from burning kerosene and diesel, which repelled mosquitoes. Multiple little fire embers, flash their red coals from corn and plantain roasters, and suya barbecue spots. These glowed and ebbed in celebratory intermittency. Incense sticks, cigarettes, weed, and twigs, also were sending their clinched fists of spiral black smoke into the night. Their resistance banners of dark smoke stilled the night air. 

Along came the rattles and chatters of clinks and clangs, with high angry decibels, exploded by the hammers and crowbars of vulcanisers’ wheels and wielders’ cylinders. Alas, someday, they will march in protest and tear down the official curtains and the banners of the system that has made them ache in perpetuity. On their way, they would drive away the money changers, and rip the veil, just in time, they will glow, as the pentecost groans and orgasms their redemption, riding on the quake and wave, of their indomitable human spirits.

It was still dark but you could still see people trickling in from the four sides of the cross roads into the station. This would have been largely true until you noticed that a reasonable amount of men who left the station towards Lawanson Road into Ayilara Street were almost equal in number as those who came from Lawanson Road into the station. These were not passengers. They were the Okokomotopak ‘bloom of the park’ station-rats, they are ‘street’, crime recruiting reserves, or petty thieves. Like the old days, they leave the station to go to the next yard. 

There is a very strong rumour, that the man they call Pastor, who sells Indian hemp was stealing the vintage brains of his customers. They are now sapped, and diffused with ordinary cells. They say they see him there and that he is now in his village, where he ascended his grandfathers title Onwukwe as the Egwuatughi-Eziokwu of Ihie Ngwa. They also say, the uncle who quickly stands while pretending he never fell, was also seen. He held a live wrap in two of his right fingers, moving them away from his bumped up scared lips, while sipping back an escaping heavy dark smoke. He quickly hunched his nostrils with those lips, while exhaling and exhausting a pure light and feathery smoke. They say, he was sitting in front of the yard, that he now collects rents at one of the aunties yard. They say the uncle with the artillery shock was now a member of the volunteer neighbourhood vigilante group there. They also say the aunties there are not prostitutes, because they do not live in brothels.

The last uncle who left the station went straight into Lawanson Road. He tended to wait a little longer at the first crossroads before he was pulled to the left.

In front of him was the lonely wide open road of Lawanson. The has heard that the last rootless black fly, that launched into it was never seen again nor did it ever land. He peered ahead into the dark and confirmed for the umpteen time that he will need somebody to hold his hand, to guide him and to guard him. This was Lagos, this is street and this is the one area, where under the illumination of the daylight, human beings walk on this street with the help of cars, and the strike of a civil war rebel, still weighs heavy upon him.

On his right is the mirrors of the ECWA Church. The mirrors don’t judge him, however they are getting quite dusty now, yet more effort is invested in repainting the vintage wooden frames, to repent the ageing, of the original mahogany tree. Who knows who he is, whether or not he is, and if he is asked to identify and love who he is or what it is, he is, whether he could do that? The dusts make things even worse! This is not the best he knows can be, but this is the best he can and if he can live today, he surely will see tomorrow. And the nuances of the conflict’s various cranial, and dishevelling elements, with its compressed and ever brewing hangovers, have constantly left him with an overburdening aftertaste, sully mouth and an indelible debris of coloured eyes and bad behaviour. He was pulled into the left, accustomed and doing it with guilt. God is the rightful judge. He wept and demanded that the fair game should begin after those wood restorers on the other side of Ayilara have made sure that the house is rewired and the mirror dusted. And like they say, Let all men be liars.

On Ayilara, the aunties stood still, erect, on the right side, facing the left side of the street. The street shown in wet redness and in cheer of celebrity welcome entry. One auntie carried a massive white pillow, another, some cotton soft airy mattress, another a tray with a big jar of clean water  and an empty cup. They wore long sky blue skirts and white blouses. Their faces looked purposeful and determined, dead with ageless reserves and deposits of the meaning of empathy.

In his tear drenched face, the sounds of Ojuelegba resonated. It came back to him, as the motions of the pentecost rode the human spirits. In the numbness of his terrestrial awareness and the biting chill of the morning dew in his eye wide shutters, opens the mile thick door, of calm and clarity. Then, they all froze, moved gently by the passing breeze, his world in a castle, on a tray, left the night before on the seat of a swing, under the ancestral tree. You follow on as you are now led by the rueful cherub of your asphyxiated drowning brain cells. Drinking from the empty cup, the clean water from the big jar on the tray, you are stirred and stroked to the long blue skies and the light white clouds of your surrendered self. The aunties then step forward into the deep blood red carpet, lay you detoxed and distressed, to pass you up unto the deeper truth and down the higher deadness, you have cum and the pulsating rest.

You now understand the sounds of the Ojuelegba Pentecost in your own mother tongue. Your mouth quivers in gibberish and you begin to speak in the new tongue. I am somebody. I am a human being. I am beautiful. I am human. I am beautiful. They come to you, and you hear them speaking in various tongues, of all the people, where you had cried, searched for employment, sojourned and walked the streets, praising God. He, now, wiping your own sweat and wiping your own tear drenched face, praising God, in your own decipherable mother tongue, saying You have lived today, you will see tomorrow.

The bus conductor woke me up. I looked around. The bus was now full, filled with passengers, light travellers like me, all quiet and beaming with a sense of gratitude for the moment. I felt for my money. I had thoughtfully put it in the left pocket of my tight jeans trousers which I leaned tightly on the body of the bus. I took a quick glance at the passenger on my right hand side. I wondered how long I had dosed. I felt the money in my pocket, which brought my glance back to the left hand side and down to my pocket. I pulled the money out and handed it over to the conductor. I glanced at my wrist watch as I was returning my hands back to its position. It was fifteen minutes, I had dosed for fifteen minutes.

______________________________________________________________________
Leonard Chintua-Chigbu
Listening and Creative Communication Artist
BA Fine Art (Painting) University of Benin 1986

Surviving The Peace

18 Park Road Aba 3

The aunties who lived in the next yard now had children, and some of the aunties had their younger siblings from the village come to live with them. There were more children, and play was more fun. The aunties now went out more in the day, and returned later in the evenings. The children played in their groups. They were well mannered and well behaved. In some sort of comical ritualistic fervency, they hauled timely greetings at any passing adults. These were totally not unsolicited but as elders poured libation, knowing it’s the right thing, they religiously hunted the ancestors with these necessities. Good morning, good afternoon, good evening, the children will say to every passing adult. The adults always also promptly replied. Good morning, good afternoon, good evening, and sometimes they may add, be careful children, please play fair, please play well. Sometimes if the children observed the adult was in good moods, they may quickly add “Happy Survival!” The adult, unprepared but caught in the moment, will equally reply “Happy Survival!” Both parties will then burst a few suppressed surge of laughter.

Happy Survival! Adults usually exchanged these kinds of greetings among themselves in those days. Children listened, and often heard more than the words meant. Children giggled secretly, sometimes hilariously, sometimes at the backyard, they would stage a drama, mimicking peculiar adults public behaviours and would laugh out so loud at them.

The children carried the feel of this dramas over them. All day and sometimes with coded postures, they communicated among themselves. They used words with layered meanings. They giggled, laughed and sometimes were carried away even when they were amongst their parents or other adults.

These adults have survived the peace with their bare hands, the same way they had fought the war. It was difficult on them. Everything has been difficult on them. They have moved on and the nuances of the war’s various cranial, and dishevelling elements, with its compressed and brewed hangovers, have constantly left them with an overburdening aftertaste, sully mouth and an indelible debris of coloured eyes and bad behaviour. They are all surviving without intervention, counselling or outside assistance. In their villages, in their traditional institutions and various ways of knowing. They were conditioned to believe that God would be on their side when they are good. In the war, they knew and saw God on their side. They saw him as they were killed and plundered in war.

Now, if there is anything else to know, they want to know, whether he is not defeated now? How can they live without a God? As fallen hero, will he rise to Almighty again?

Those who spat up into the heavens, are yet to see the sputum all over their faces. It is really hard, it is extremely difficult to reconcile with your Chi.

On the street, children beamed with admiration and wonder on their faces, as they looked and argued about the colours on the walls of the houses, the motifs and signs painted on them. On others, you a saw a spring on their steps and energy as they darted across the street to touch things, run up the refuse dumps, and come back out again with finds and satisfaction.

From some houses, people looked at you and all the time, you saw them along with the houses and colours, or sometimes the houses as their backdrops. The houses had numbers on them. You can actually learn your numbers by following the houses down to the end of the street. If you counted on one side of the street alone, you could be calling only the odd numbers or the even numbers. If you looked on both sides, you would be calling them in serial order.

You could also go into all the stationary vehicles riddled with holes, pushed to the sidewalks along the street. You can sit and turn their steering wheels, step on their pedals or bounce on their seats while searching and calling out the house numbers. You did not see the empty bullets and the live ones, with pointed ends, scattered on the floor of the cars. You could not touch them or take them home for fear of what the adults could do to you. You did not also see the shelling and mortar cases stuck on wooden garage doors or the running roofing panels abruptly interrupted. No, in your mind, that red roof panel ran to its end and its ultimate completion was inherent.

The first house which usually starts with the odd number and the next one with the even number will stand face to face across the street. One could be a bungalow and the other a two story building with an elaborate balcony on each flour and several doors demarcated by double or single windows. On some houses, the numbers stood on top of the street name, and on some, it stood in front of it and on some, it was the numbers alone.

Children in the yards giggled and laughed a lot those days. Children did not have television programs nor did families have television sets. But they giggled and laughed a lot in those days. They saw enough laughter and had a lot of it, as they came to the front of the yard and looked into the street. Different acts came along. Some sang. Some showcased magical acts. Some flexed muscles and pulled stationary cars. Some were not former soldiers. None begged for alms. Others showed their war injuries and scars. Some told interesting stories, very long ones. Some did it for a shade, a cup of water, understanding and a long afternoon together. They temporarily suspended disbelief, and strode towards the apparition that beckoned them. They momentarily achieved closure and were war heroes returning to the applause of community and the embrace of family. Over new friends, new families and another place, other than the lone place, where they had slept the night before, they had reunited with part of their family. Happy Survival!

Then there was this uncle who comes along, whose peculiar nuance of the war’s various cranial and dishevelling elements, with compressed and brewed hangover, was called Artillery Shock. This uncle could not scrap the surface of his tongue, even when he was also constantly left with an overburdening aftertaste, sully mouth and an indelible debris coloured eyes and bad behaviour. Under the hot sun, along the street, he ran in vigilance. In peace time, he still ran in short steps, turning his head from left to right and back. He refused to speak, as he was not allowed to talk or make noise. When he ran up to you, he gazed demandingly and piercingly at your face. He looked to snatch the answer from your soul, and if you were unresponsive, he moved on. He ate whatever he had hurriedly and gave you what he did not eat, while still running or hopping. He never stopped. He never came into pastor’s place. He could not stop to come into pastor’s place and he did not have any of his smokes.

The evenings have eventual come. Some children in the yard are wiping the traces of sweat marks off their faces. Some have run quickly back into the rooms, flip the curtains, take a quick shot to see if they made the beds and everything is tidy. One is hurriedly washing a pile of dirty dishes and one is washing and hanging some wet clothes.

The aunties were returning from work. In some sort of comical ritualistic fervency, the children are hauling greetings at the aunties and other adults returning from work. Good evening, good evening, good evening. The aunties and other adults always also promptly replied. Good evening, good evening, good evening, and sometimes they may add, did you sweep the room? Did you make the bed? Did you wash the plates? Did you wash the clothes? One who was hurriedly hanging wet clothes, could not find any explaining why they were still wet and dripping water.

Sometimes if the children observed the adult was in good moods, they may quickly add “Happy Survival!” The adult, unprepared but caught in the moment, will equally reply “Happy Survival!” Both parties will then burst a few suppressed surge of laughter and giggles as the evening sun sets the dusk.

______________________________________________________________________
Leonard Chintua-Chigbu
Listening and Creative Communication Artist
BA Fine Art (Painting) University of Benin 1986

18 Park Road Aba

1. Reading The Right Books

The sun was steadily making its way down the west. The shade on 18 Park Road yard was now on the side of the room doors, while the shadow of the one story building stood heavily on its concrete wet floors.

In front of the yard, cars, our cash and carcasses set on fire days after the war still smouldered. Ash and smoke strolled the air and skies like wiry cows parched for a drink.

In the next yard, the man who sells Indian hemp calls himself a pastor and those aunties who live there are not called prostitutes because they don’t live in a brothel.

Visitors who come from there seemed to wait at the gate for a little longer. They seem to contemplate whether to walk back into Park Road or saunter into Pound Road through the foggy misty alley.

In the alley, the children played happily. When one side scored a goal, the players on the other side took turns to retrieve back their football from the nearby gutters or refuse dumps.

The children will often stop kicking their footballs to make a way for visitors from the other yard who walk through the length of the alley, past the misty spray, the open gutter, the slippery fray slabs and refuse dump. They often walk with their heads hung down, often in total silence, even when the children called out a greeting. One always stood up pretending he did not just fall down. This will happen several times before he walked the length of the alleyway.

Inside the yard the row of rooms housed different families who had just survived the war and lost their time. Across the yard, the sun sparkled through the concrete wet floors, her rays of yellow flavouring brightness washing the dirty walls that demarcate the kitchen, the stores, the bathroom and the toilets in a row, redeeming its colourlessness with cleanliness and contentment.

The curtains on this side swayed and flirted with the gentle breeze while bouncing off the peeking curious eyes of probing adolescents.

From one of the doors, behind the swaying drapes, a gentle hand ran through the flowing edge, a woman peeped, looking at the space outside the room, next to where the doormat laid.

A slim smallish tall boy, sat on a short wooden stool, leaned one elbow on a long wooden stool and bent over an open book, placed on top of the stool.

The woman pulled her head back into the room unnoticed by her suspecting son.

In the foggy misty alley, water gushed out of a broken pipe. It is drain from the toilet and bathroom of neighbours who lived upstairs. When these neighbours had their bath or flushed their toilets, the gush sprayed wider into the air, while the rest of the drain flowed through the pipe into the open gutter, with the stagnant green pool. We didn’t flush ours, the night soil man emptied them because they were open bucket latrines.

The surrounding slabs were green too and some parts were slippery. Often children ran through the slippery slabs to retrieve their footballs.

The police men and the army men visited the next yard too. They came in their uniforms and they both wore straight faces when they came. The police men came alone and sometimes in a pair, when one policeman is introducing another colleague to the next yard. The next time they came, they came in a group, as policemen on duty, enforcing the law of the land.

The army men smoked when they came. They bought extra wraps which they put in their pockets and another wrap which they lit and smoked as they walked into Park Road. The army men were open in their straight faces and often they threw shinny brand new pennies to the children and the aunties.

In the yard, behind the curtains, the doors are open. From the transistor radios, through the open doors and swaying curtains, pale waves of enchanting soukous rhythm, breathless commentary from football stadiums and roaring fans escape into the quietness of the yard.

Today, the noise and laughter of children playing at the backyard has not quietened since morning. They said the mother of the boy who owns the football has gone to the market and she may not be coming back till afternoon.

At the backyard, the walls of 35 Pound Road; the Teachers Union building had fallen. It has given more breathe to the alleyway and the sanitation lane. Children now played more freely

Adults and visitors from the next yard also now walked past, without stopping the game. Children also played without noticing them.

The slim smallish tall boy, sat on a short wooden stool, one elbow leaned on a long wooden stool, his full trunk bent over an open book, placed on top of the stool.

Another boy had joined him. His mother has just returned from the market. He was sweaty, boisterous and outdoorsy, but he was calm now. He sat nearby, peeping into the slim smallish tall boy’s open books and going along with him carefully.

Those were the extra books outside the basic list of books for primary five and six pupils. The boisterous boy’s mother could not afford these books or find anybody who could hand down these books to her son. Her son had read all books in his book bag for three years and had repeatedly failed his secondary school common entrance examinations.

Three year have passed and the slim smallish tall boy has moved up to doing his secondary school entrance examination.

The woman behind the curtain drapes finally pulled her head back into the room, unnoticed by the suspecting boys. She also locked the room, unnoticed by the suspecting boys. The door next to hers was also locked. In some days like this, some parents locked their doors when their children played outside in the yard.

The boys went ahead to pass their secondary school entrance examination that year.

Leonard was admitted into the prestigious Government College Umuahia, modelled after the ethos of Eton College London

In front of the yard across the road, the paw-paw trees had green and yellow ripen fruits. Across the fence, under the setting sun, the Recreation Club field lay lush and on the other side of Constitution Crescent, the white building of the Ministry of Internal Revenue nestled among the tall rubber trees.

______________________________________________________________________
Leonard Chintua-Chigbu
Listening and Creative Communication Artist
BA Fine Art (Painting) University of Benin 1986

Downscale or Upscale, What?

I love this job compared to the one I have done in the past eleven years.

You mean working as a teaching assistant?

That of course

But you have been good with children… Your depth of emotional intelligence, empathy, and love for needing children, all came together in that position.

The new job is entirely the opposite, except when am packing products ordered by pregnant women or ones for little babies. 

The story goes, that the door bell rang, and a little girl ran ahead of her mother to the door. She peeped through the key hole, and exclaimed.

“Wao!” Also curious to know who had pressed the door bell, the mother asked
“Who is ‘on-there’ darling?”
“Amazing-on there already, mom”
“Waaoo!” they both exclaimed…

That was the unique and personalised ‘trigger-of-joy’ the delivery man from the ‘Fulfilment Centre’ brings.  Otherwise.., it’s just dumb and physically tasking.

So the former is better?

No! This is a break. It’s a type of being invisible, or under a cover or ‘huddie’. The buzz, the field of machines, the endless stretch of vast space and people dwarfed by sky-high ceiling makes you a nobody but a station and a number. You won’t believe this. In the neonate plantation with the tech, bells and whistles, all is here, jostling and hustling big. But we are kept out. We are now the minority.

So, is the former is better?

Doing that for eleven years was good, but in the last year or two years, it has been impossible. These new ones, categorised as ‘severe’, spit and cough at you. They slap, hit and bite, often they are non verbal and you can feel their anger and deep frustration too. 

Hmmm…

These last months have been like the poor wife in an abusive relationship.., the depleting self esteem.., strong lethargy to break and lack of courage to be free.

Other than a break.., any vista or redemption?

May be not. But I like the deafening buzz of machines, sometimes I imagine it’s raining out there. Like the proper rainfall we have in Africa. I find that soothing. 

Well…

Also you won’t believe this, When I fart, no matter how loud it sounds, no one hears it. It’s really relieving. Over there, we were just like bloated fart bags in classrooms wishing for any little opportunity to rush to the toilets to deflate, and of course to exhale…

Talk about mental and physiological pressures. Anyways, you sound relieved. I wish you the best. I must be running now. See you later.

_____________________________________________________
Leonard Chintua-Chigbu
Listening and Creative Communication Artist
BA Fine Art (Painting) University of Benin 1986

Promise To The Gods

18 Park Road Aba 2

In the next yard, the man whose name is Pastor, who sells Indian hemp, continued to walk around the blocks today bare bodied. He was between the alley gates of the next yard and that of 18 Park Road. He was bent over a woman. Now, he begins to raise his voice and started barking seriously. He stops suddenly and abruptly breaks into a loud laughter. He cools to wide grin with eyes popping out. Then he begins to smile. His breaking into a soft tender smile with all his facial muscles relaxed sober. Then he again began to smile some more. Clutched under his invisible priestly paws he once again looked into the eyes of the woman he had preyed upon. He moved his hands down from the sides of her head, down to the plateaux of her shoulders and finally dropped by his sides. Face to face and a foot apart, the woman’s head was bowed and his shoulders were arced. He turned to go back into the next yard. A little boy who had watched the scene raised his gaze. In full face, his eyes met with the the boy’s, and he smiled more brilliantly, absorbing the golden rays glowing between him and the little boy.

He had a beautiful clean smile. He had the perfect set of white clean teeth. They were saying precisely what lied beneath his heart. Over of his heart, was a generous lump of tender flesh, kneaded to a seasoned dough, pampered and marinated under a brown ornate skin. His heart pounded and his gentle muscles rippled to the music and dance of the known distant vibes. Laced over his skin was the stems and pinnacles of the sprawling black hair, flowing from the Abyssinian mountains, plucked from the banks of the Nile river, to the dense foliage of her Mediterranean tributaries, glistening under the hues and shades of the ebony son, who has been crying and dying for the missing humanity in men.

His luscious black beard touched his heart because he tilted and bowed his head to the small man, and his teeth continued to swim in cleanliness, hedged by his umber brown lips, containing the pull of waters that gathered, and continued to gather as the smile prolonged.

His bare brown torso was tucked into a beautiful tailored pair of smart black trousers, flowing down to his knees, down to his ankles, to the embroidered yellow motif on the back of his black bedroom slippers.

He was still smiling, but his shoulder was now at ease. The woman he had barked at, was still serious and was explaining how she had no money and could not afford to send the boy to school yet. He encouraged her to do it. He said the boy sings the songs better than those who are going to school. He sings war songs, but he also sings school assembly songs, even when he hasn’t been there yet. He is a clever boy, he must have heard it from those who go to school. Send him there, we must survive the peace.

In the next yard, two of the little girls who had survived the war with their mother, were leaving. The uncle who lived with them had gotten a baby boy with their mom who worked as a nurse. They are moving to another part of town to resettle as a normal family. Uncles were becoming fathers. But this did not happen to the little boy and his sister. The uncle who lived with them had married another woman, where he had been transferred after he was called back by the Post&Telegraph. They had been eventually alone lately.

Street children worked the streets, even when school children walked on the street. Only one school wore uniform and their pupils were rarely seen on the street. The boy’s mother loved school uniforms and loved this school too. The number of children walking the streets also grew at the time of day when school children were returning from school. All children on the street had some clothing and those returning from school also had some clothing, but none of the fades and shades they wore were close to the colours or combinations of a school uniform. All children were street.

Back in the village, long before the war, the woman’s father did not have a male child. The dwindling of his estate, took the first dive, six months after she was born, the month her father died. The uncles apportioned what they had considered sufficient in, farm crops, palm and raphia tress for her mother to carter for her household. Later, everything was then taken from them, the year before the war ended, when the woman’s mother died. Since then, she has resorted to leasing land from others for subsistence, and to maintain her mother’s aged maid.

Being unmarried and a mother to a son and a little girl, living in the city and coming to the village from there was the perfect arrangement for a disinherited girl child. However she made frequent trips to the village, to support her mother’s aged maid, who became her step mother, after she gave birth to her only sister, who was now deceased. She leased land from others for her step mom to farm, and to support her living and feeding in the city.

In recent months she has made more frequent trips to the village. Now, it still seems, she might still make more trips to the village.

She pulled up the inner edge of the mattress adjacent to the wall under the pillow. She pulls out an old Van Heusen men’s black long tie, fallen unto the floor, under the coils of the eight springs bed. She carefully opens the wider end of the old Van Heusen men’s black tie. She carefully pulls out all the notes and coins. She carefully counted everything, subtracting the amounts her friend had given her to hide away for her from her husband.

The money fell short again by more than half of what her neigbour, Imios International Tailor who runs the little tailoring shop in-front of the yard, had promised her to make her son’s school uniform. She came to realise that, even with her frequent trips to the little village farm, the proceeds from the garri and palm oil would hardly bubble to the surface of a secure saveable secure. It all too soon, evaporated into higher levels of her unsaturated daily survivals and other expediencies.

She wondered what else would be the reason why her encounter with the man who sold Indian hemp, took her back to the solemn promise she’d made to her ancestors. A promise she agreed to, to deter the river Goddess from taking her son back to the great beyond. The promise that she will commit to sending him to school to be educated, to the best of her ability.

She also remembered, how recently, she had this promise day flashback, when, during the war, her son had walked past that famed ‘shelter of trees’, before the shelter was bombed that same afternoon by enemy planes.

This promise she made, perfunctory at the time, was gradually becoming her life’s purpose and a reason now, she wants to survive the peace. She strongly believed the ancestors had sent the man from the next yard, who sells Indian hemp, whose name is called Pastor, to speak to her soul.

Later that week, the uncle who lived with us, who had married another woman, when he was transferred to another town, after he was called back by the Post&Telegraph, sent us money.

My mother jumped at the money, ran to the second hand stalls of the Ahia Ohuru market, rummaged the charity wares and brought home some amazing and beautifully tailored boys clothes.

I was eight years old when I wore the school uniform she loved and dreamed of. A white shirt, a red short and a brown pair of school sandals. She took me to Constitution Crescent and enrolled me in Sancta Maria, the premium Catholic elementary school where the elite and their children were educated.

In the next yard, the police had made another raid to Pastor’s place, the second time in a week. The uncles who were arrested have been released for lack of evidence. They’ve come back to buy and smoke some little more and to thank the Pastor for the bail.

______________________________________________________________________
Leonard Chintua-Chigbu
Listening and Creative Communication Artist
BA Fine Art (Painting) University of Benin 1986

Curtains On Our Doors

Why don’t we have curtains
On our doors anymore
Why has only
The doors, sufficed
Why don’t we care anymore
If a curious boy took a peek

I remember seeing
Very wretched and torn shreds
On people’s doors
Yet they hung proudly
And the mothers still felt safe
When they were changing
And had no clothes on

I remember how we suffered
I remember how we saved
To install one of those
I am here
I am different
I am somebody
How much this was our marker
Of some illusive social mobility

They were black
They had thick skin
And they were cotton curtain
They were hardly white
Or off-white as they say
Of thick cotton skin
Others were red and people
Found green ones
Sparingly, but always
In their minds

In the Night
All curtain is black
The haves and have-nots
Pushed sideways
As people moved about
Hung with strings
On to the door post
Of life and living

In those days
We didn’t have extras
But in suspended existence
I don’t remember when people
Who took them off to wash
Was this then why
They eventually tore
And shredded
Discoloured, worn and dirty

I remember seeing
The doors tightly shut
With no curtain adorning their skin
As they often did
When the patrons came to pay
And the madams failed to care
Of curious boys eavesdrop

Face me and I face you
Accommodation
As curious as can be
The door is shut
The power is out
The corridor is dark
And the lightbulb is buried
Into the cobweb of her hairy groove

Spurious spiders web
Screening her door to life
Yet babies were born
And music was made
Patrons would leave
But neighbours would not
Some with laughter
Others in thought

In the darkness
The stoves or kettles
Will still be on the table
The buckets and brooms
Next to the wall
The bathroom slippers
Next to the door
Or on the door mats
Where there is one

If the door opens
Then the curtain will sway
The light will jump out
Be attentive, soon they will go
Keep walking
But look to the eye
You will never stumble
Your mind is light

Indistinguishable units
Of a clustered slum
Cacophony of prayers
And escape
Harmonious discordant
Existence that still says
I’m here, I’m somebody

No, we still have
Curtains on our doors
Yes, its just that you
No longer live amongst us
Its just that you
Have walked the dark corridors
Stumbled and fell
Stood and kept walking
Looking to your eyes
The light in your mind

Listening and Creative Communications
Leonard Chintua-Chigbu

Last Night

It is rather early. She should not be scratching me tonight.

Accustomed to the usual intervals of ten to nineteen days, however the last three sessions had been intruded on by erectile dysfunction.

Same old scratch, always at night, under the sheets, did anything change? Have I changed? We never discuss these things. We did not discuss this one.

I would think she should have given more grace, maintained her old intervals or would she act differently now that it’s confirmed?

But… it hadn’t been ten days. I am sure it wasn’t nineteen either. Why will she now shorten the days?

In the moment my motions laid on prayer, blurred the luring sights and restrained the wondering thoughts. The quiet was peaceful and I was there next to her.

I made my customary move to respond to her that am aware of the signals she’s giving. I waited to let her finish her usual rituals which included the scratches. But she stopped short, turned and resigned.

Would it be she was she trying to confirm something… was she trying to humiliate me now, or rub it in and declare the state chronic and permanent?

Did she say “well I am sorry I can’t wake a dead man. It’s your fault now not mine”?

Misreading the moment, I naively proceeded to climb on. The session lasted as long as she wanted. She eventually roared and exploded.

From God we both heard different news and went on to sleep till the new morning.